A personal story, a historic manuscript, a crazy laminating machine and a final outcome. We’ll discuss about synthetic polymers, sorts of laminations and encapsulation. All these ingredients are seasoned with PFTE, TFA, HFIP, PE, DMSO, PET… cling, dong and BOOM!… An explosive -but most irresistible- cocktail. Continue reading
What is a neutral colour?
Is it a pH=7 colour? A transparent colour? Greenish… brown? An oil colour… or maybe acrylic?
Conservators mean by it: “I will paint the missing area with a single colour which you won’t see much”. It can be green, purple, pencil coloured or either with acrylic paints… Controversial is on the cards and whatever we do, even when not doing anything at all, conservators know that our decision will not suit everyone’s taste. Continue reading
No one would say that Esther feels burdened by the case she is working on: removing an old repair that was deforming some parchment manuscripts. And besides her patient attitude I can’t agree more with her when she says that … Continue reading
There are all sorts of projects, and when Mr. Goya knocks at the door, the red carpet is ready to receive him at the studio: Please, come in!
The Disasters of War by Francisco Goya arrived at the studio in a fairly intact condition, with its 80 etchings, corresponding to the very first edition (in later editions two more etchings were added, making a total of 82). This first one was edited in 1863, more than forty years after Continue reading
Fellows of joys and sorrows, conservators, here is why I am so excited with the “Cleaning workshop: Paper bathing/stain removal”, given by Wolbers: The idea is to make every conservation treatment a kind of custom-made dress for each particular object with a minimal initial investment. He speaks about solvents, gels, surfactants, conductivity and pH.
Nor in my wildest dreams had I imagined such a close, easy and useful chemistry. Thanks a lot Richard, we owe it to you. Continue reading
Alligators, palm trees, luxury residences… What business have in Florida the Holy Trinity by Dürer, Mr. Audubon, and a paper conservator from old Europe? A two-week holiday to visit friends from Palm Beach became a fascinating collaboration project with the … Continue reading
Or how to remove adhesive tapes, without removing them We have spoken about bibliopaths, about misuses and how to eradicate its effects… But, what happens when the artefact itself causes its own degradation? It’s not a spy movie’s myth: … Continue reading
The bike riders from Sants reached my studio squeaking, rather than cycling!
Tears, foxing, discolouration, brittleness, acidity… All these damages have been carefully restored in order to let the splendorous riders finish line at the Municipal Archive of Barcelona. They are almost centenarian… and yet they ride wild along the repository! I’ll explain which beauty and health treatments these illustrated posters have passed through Continue reading
Terrorists do not always carry explosives or mallets, nor they come from overseas, it may even be people in charge of collections. We ought to deal with them to safeguard “smart books”: books intelligently made, such that no material interfere with each other, on the contrary, they create formidable synergies. Each one has its peculiarities, its beauty and its function. They represent a compendium of technology, art, society and culture at the time and place in which they were created. Continue reading
Are we supposed to fear bibliopaths? Or maybe we should give them an award? Who are they? Atention! Because they can be among us, or we might even be one of them?! I invite you to read the Case of the Lacquer Binding to know more about them Continue reading
Wrinkles and folds are a usual damage in documents made of paper, cloth or parchment. The common way to restablish these supports to its original condition is by pressure: under weights or in a press.
When the paper has a relief which must be preserved, it is then not possible to use pressure, as it would smash this relief.
Flattening under tension may be an interesting alternative on certain occasions or when a selective flattened is needed. It takes advantage of the natural shrinkage of the paper when going from wet to dry, so that the tension is given by the same paper. Continue reading
Led by Luis Crespo and Arsenio Sanchez, restorerss in the National Library, we visit the fascinating world of book illuminated miniatures, choir books, manuscripts …
Latest technological resources, ancient tradition, and above all their experience and knowledge, allow the recovery of these bibliographic jewels exhibited now at the National Library of Spain. Continue reading
Approach to a new methodolgy to retrieve the lost flexibility to brittle papers.
Tracing papers -so usual among technical drawings- have in common their transparency, but there are significant differences in the process to make them. The properties and behavior will be very different then. Impregnated papers, for an instance, were applied oils or varnishes to provide them translucency.
Explanation restoration of several drawings in which the varnish was removed to replace it later. Continue reading
Which damages cause sellotapes? Can we release documentary heritage from these fatty strips?
Explanation for the degradation mechanisms of this historic “remedial” tapes that we can find in documents of all kinds, and restoration possibilities in each case. Continue reading
From the books washing machine to new methodologies for leather bindings restoration, a visit to Domènec’s restoration studio is always a great pleasure! Continue reading