Course: Inpainting & Loss Compensation on Paper

 CASTELLANOCATALÀ
←COURSES

Can you match the colour but not the surface texture? Can you match the surface sheen but not the colour? Do you struggle with both? Do you never know what dyes to use? If you want to acquire a wider range of inpainting techniques, this is your course. Held by knowledgeable professionals, it goes deeper into the tools, materials, techniques and tricks. The goal is to infill and in-paint the most challenging losses with confidence and success.

Solka-Floc (microcristalline cellulose powder) matting agents the class moulding the texture of a cloth binding.  Pulp samples for leafcasting infilling

    • VENUE: The workshop will be held in the conservation laboratory:
      C. Sant Pere, 24. 08330 – Premià de Mar (Barcelona, SPAIN).
      Contact person: Rita Udina; info@ritaudina.com; +34 649 694 899
    • CERTIFICATE: A certificate of attendance will be given after completing at least 80% of the course workload.
    • LANGUAGE: English.
    • TEACHERS: Amparo Escolano, Rita Udina.
    • DATES: October 15-17th, 2018 (20 hours).
    • TARGET AUDIENCE: Tailored for Paper Conservators with emphasis on those working in the private practice area or conservation studios where inpainting is very much demanded. International character of the course is encouraged.
    • NUMBER OF PARTICIPANTS: 10 participants (maximum).
    • APPLICATION FORM: Submit here (only waiting list places available).
    • ACCOMMODATION AND TRANSPORT: Find here all information regarding accommodation and transport.
    • FINISHED EDITIONS:

First edition (2016) Amsterdam 2017 2017

CONTENTS of the course:

Criteria:

– Ethical considerations.
– Private practice vs. Museums and Institutions.

Techniques:

– Chromatic Selection and Chromatic abstraction.
– Rigatino/ tratteggio: Fiorentino vs. Romano
– Underleveled.
– Neutral color field.
– Mimetic.

Materials:

– Light and color phenomena.
– Brushes.
– Filling losses and fillers: powdered cellulose, paper pulp, Japanese paper,  modifying the appearance and texture of Japanese paper, adhesives.
– Inpainting media and toning systems: synthetic resins, watercolor/gouache, pencils/pastels, dry pigments, dyes and other colouring agents.
– Modifiers : glossing, matting, polishing agents.

Inpainting and Loss Compensation on Paper Conservation

PROGRAM:

December, 18 (Mon.) Loss compensation: filling.

  • 9:00    – 10:30     Welcome and introduction to the course (handouts, conservation lab, tools…). Filling: Ethics and Criteria. Colour matching with micro & macro cellulose pulp.
  • 10:30  – 10:50     Coffee break.
  • 10:50  – 13:00      Filling: Materials and techniques. Samples preparation practice.
  • 13:00  – 14:00      Lunch break.
  • 14:00  – 17:00      Filling workshop with cellulose.

December, 19 (Tue.) Loss compensation: inpainting.

  • 9:00    – 10:30     Inpainting: Ethics and Criteria. Pigments & dyes (types, techniques).
  • 10:30  – 10:50     Coffee break.
  • 10:50  – 13:00     Inpainting: Samples practice.
  • 13:00  – 14:00     Lunch break.
  • 14:00  – 17:00     Inpainting workshop

December, 20 (Wed.) Practice.

  • 9:00    – 10:30     Practice on originals with prepared samples.
  • 10:30  – 10:50     Coffee break.
  • 10:50  – 13:00     workshop.
  • 13:00  – 14:00     Lunch break.
  • 14:00  – 16:00     Inpainting workshop

Although both tools and practising samples/documents will be supplied at the workshops, participants are welcome to bring their own tools, in case they want to achieve a much similar experience to their workspace.
Participants are also encouraged to bring samples and/or documents* they would like to practice with.

MEDICAL ASSISTANCE: Do not forget to bring your sanitary/medical card if you are coming from an European Union country. You will receive medical assistance easily, if ever you were in need.
It is recommended to hire a private medical insurance for your journey if coming from other countries not belonging to the UE.

*  The practice will be guided and supervised, but the exercises on original documents will be under the participants’ responsibility.


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