DAMAGES
Find below the blog posts related to DAMAGES:
Premiere of the video of the conservation treatment of a map
Premiere of the video showing the full conservation treatment of an oversized hand-coloured map, varnished and lined on a canvas. Do not miss it! Next Thursday 27 at 4pm CEST (UTC+2).
Profession: book and paper conservator
What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have? Preservation and conservation, a field linked to science, history and arts and crafts. A video explains what differenciates us from forgers and shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator.
A midnight lockdown paper conservation dream
A lockdown is kind of stoping any activity, and that is what I have done, a stop-motion video, showing the full conservation treatment of a paper document.
Christmas angels in serious condition,on their way to full recovery!
Christmas angels currently at ICU in serious condition. Diagnosis: chronical humidity, binding dislocation, a variety of infections and rodent attack. Prognostic is optimistic because a high level team is taking good care of them. Soon they'll be bright and happy as Larry, just like in this year's Christmas greetings. Don't miss the video!
Smart materials for display, storage, housing and wrapping solutions in cultural heritage (APACHE)
The APACHE project aims to develop new technologies for display, storage and wrapping materials of cultural heritage. Answer the survey to contribute to it, and your collection will be represented in this leading research.
Retouching, a taboo in paper conservation?
Retouching is among the most sensitive within ethics in conservation since it means to establish the aspect a restored object is expected to have. My opinion is that the looks of an historical object is often as important as its physical-chemical condition, and not intervening provides poor results that might mislead its readability more than a proper intervention. The more we intend to make it as neutral as possible, the least arbitrary, we need to admit that retocuhing requires good taste.
Silver Mirroring Removal in Photographs (Video)
At last a deffinitive method, safe and efficient for silver mirroring removal in historical photographs. This new treatment will change the way the issue of silver mirroring removal has been addressed in photographic collections. See it in this video and value the results.
Housing as a (quite desperate) conservation resource
New artwork arrives at the studio to be ready for an exhibition: pressure, limited time, bleeding inks... Could it not be some other easier and more showing off artefacts? Here's what I do when I don't seem to find much to do: Tape removal, and failing to flatten under tension with magnets... Mounting the artwork on a housing that secured an even tension on the artwork during the exhibition, was the last resource.
Silver Mirroring: Its Importance, Formation Process, and a New Elimination Procedure
New Elimination Procedure for Silver Mirroring. Silver mirroring is a type of deterioration that appears in most gelatin developing-out paper (DOP) historical photographs and black-and-white films. Its treatment involves so many problems that it has often been ruled out. In this article we present a new and simple elimination procedure, which is efficient and offers stable results in the long term. The study of the causes of the formation of silver mirroring sheds light on aspects that had been little explained so far: the fact that this type of deterioration always appears on the surface of the image leads us to consider a mechanism of transport of electrical charges.
Gels, microemulsions and nano-systems applied to pressure sensitive tape removal: latest updates
Tape removal, chemical and physical gels, microemulsions and much more. Review and abstract of the conference "Nanosystems. Application to tape removal on cellulosic supports,", which took place in Madrid (Spain), on June 6 to 8th, 2018; within the context of NanoRestArt, the european Research and Developement project.
Endbands, headbands and ties
The headband to a book is like the tie to a suit: they both give their owner the chance to stand out. It is like the icing on the cake of the binding, and gathers the bookbinder's proficiency and taste. We'll discuss their aspect like in a Vanity Fair, and go beyond: What are they meant for? and why stuck-on headbands are less cared by conservators than sewn ones? Should we replace them or conserve them? The untrained eyes will look at them with more interest now, because -just like ties- there are headbands for all tastes!
Hold on and suck in, Miss Scarlett! Removing a plastic corset from a manuscript
A personal story, a historic manuscript, a crazy laminating machine and a final outcome. All these ingredients are seasoned with PFTE, TFA, HFIP, PE, DMSO, PET... cling, dong and BOOM!... An explosive -but most irresistible- cocktail. We'll discuss about synthetic polymers, sorts of laminations and encapsulation.
Mysterious iron rods in a 16th limp vellum binding
Case of a manuscript bound on a limp parchment bindining with peculiar sewing over iron rods
Conservation of ‘The Disasters of War’, by Goya
There are all sorts of projects, and when Mr. Goya knocks at the door, the red carpet is ready to receive him at the studio: Please, come in! The Disasters of War by Francisco Goya arrived at the studio in a fairly intact condition, with its 80 etchings, corresponding to the very first edition (in later editions two more etchings were added, making a total of 82). This first one was edited in 1863, more than forty years after
“Customized” conservation with Richard Wolbers
Fellows of joys and sorrows, conservators, here is why I am so excited with the "Cleaning workshop: Paper bathing/stain removal", given by Wolbers: The idea is to make every conservation treatment a kind of custom-made dress for each particular object with a minimal initial investment. He speaks about solvents, gels, surfactants, conductivity and pH. Nor in my wildest dreams had I imagined such a close, easy and useful chemistry. Thanks a lot Richard, we owe it to you.
Chemists and conservators: a love/hate relationship
A cathartic experience: There's nothing more exciting for a conservator such as participating in a chemistry course. We go there with a certain respect (or maybe fear) and the will to be acquainted to a new miraculous reactant that will change our life. The poor conservator will poorly be able to discuss one to one with a chemist, either about the reactions that happen during the restoration treatments or along the inherent ageing of the artefact; and yet we must call the chemist into question and keep this dialogue alive. But thanks to Richard Wolbers I made peace with chemistry and their scientists.
This document will self-destruct in 30 secs!
Or how to remove pressure sensitive tapes, without removing them. We have spoken about bibliopaths, about misuses and how to eradicate its effects... But, what happens when the artefact itself causes its own degradation?
“Smart books” and bibliographic terrorism
Terrorists do not always carry explosives or mallets, nor they come from overseas, it may even be people in charge of collections. We ought to deal with them to safeguard "smart books": books intelligently made, such that no material interfere with each other, on the contrary, they create formidable synergies. Each one has its peculiarities, its beauty and its function. They represent a compendium of technology, art, society and culture at the time and place in which they were created.
Posters conservation: virtual inpaint vs “virtuous” retouching
The bike riders from Sants reached my studio squeaking, rather than cycling! Tears, foxing, discolouration, brittleness, acidity... All these damages have been carefully restored in order to let the splendorous riders finish line at the Municipal Archive of Barcelona. They are almost centenarian... and yet they ride wild along the repository! I'll explain which beauty and health treatments these illustrated posters have passed through
Bibliopaths: The case of the lacquer binding
Are we supposed to fear bibliopaths? Or maybe we should give them an award? Who are they? Atention! Because they can be among us, or we might even be one of them?! I invite you to read the Case of the Lacquer Binding to know more about them
Categories
ARTEFACT
archive or library
book
book structures
bundle
headband
hollow back
limp-vellum binding
locks
sewing
tight back
document
seal
lacquered seal
printed stamp (see TECHNIQUE)
drawing
manuscript
photograph
albumen
daguerreotype
glass plate
silver gelatine
plans, maps, architectural or technical drawings
maps
plans
poster
DAMAGES
acidity / oxidation
bibliopath - graphopath
disaster
flood
foxing
losses, gaps
pests & paper eaters
insects
silverfish
woodworm
microorganisms
mold
pressure sensitive tapes
silver mirroring
structural
wrinkles
MATERIAL
fabric
cotton
silk
velvet
glass
leather
parchment
metal
paper
coated paper (art paper)
Kraft paper
laid paper
rag paper
tracing paper
impregnated paper
onion skin paper
Washi
wood pulp paper
plastic
cellulose acetate
polyethylene terephthalate (PET)
Polypropylene (PP)
wood
PRODUCTS
adhesives
natural
shellac
rubber (natural)
starch paste
synthetic adhesives
Filmoplast®
Paraloid B72
rubber (synthetic)
Tylose® (MHC)
gels
agarose
chemical gel
hydro-gels
Klucel®
organo-gels
physical gels
Velvesil Plus
xanthan gel
nanoparticles
solvent
benzyl alcohol
ciclometicone
diethyl carbonate
dimethyl sulfoxide (DMSO)
polyethylene glycol (PEG)
surfactants
TECHNIQUE
ballpoint pen
collage
felt-tip pen
gouache
graphite (pencil)
ink
print
engraving
etching
lithograph
woodcut
printed stamp
reproduction
diazotype
watercolour
THEORY on cons. & rest.
TOOLS, MACHINES
TREATMENTS
bleaching
cleaning
stain removal
surface cleaning
tape removal
varnish removal
wet cleaning
deacidification
digitization
flattening
flattening under tension
housing (storage)
box
folder
four flaps envelopes
inpainting
mimetic in-painting
neutral colour in-paint
mould treatment
preventive conservation
climate (HR, temp.)
re-binding
reinforcement - consolidation
backing with fabric
Infilling
leafcasting
ink fixing
lining
sizing
tear repair
varnishing