Filmoplast®
Find below the blog posts related to Filmoplast®:
Housing as a (quite desperate) conservation resource
New artwork arrives at the studio to be ready for an exhibition: pressure, limited time, bleeding inks... Could it not be some other easier and more showing off artefacts? Here's what I do when I don't seem to find much to do: Tape removal, and failing to flatten under tension with magnets... Mounting the artwork on a housing that secured an even tension on the artwork during the exhibition, was the last resource.
Gels, microemulsions and nano-systems applied to pressure sensitive tape removal: latest updates
Tape removal, chemical and physical gels, microemulsions and much more. Review and abstract of the conference "Nanosystems. Application to tape removal on cellulosic supports,", which took place in Madrid (Spain), on June 6 to 8th, 2018; within the context of NanoRestArt, the european Research and Developement project.
Tracing paper conservation, berliner style
I never enjoy anything as much as visiting other paper restoration studios, especially if they are private. They usually bear the imprint of a personal vocation, a personality which is barely present at institutional studios. I watch the space distribution, the tools, the jars... at Hildegard Homburger's studio. Is there a better way to nose around than becoming a berliner restorer for two days?
- Minimal intervention on “Serra & Balet” documents GalleryClips, grapes i altres elements potencialment nocius Clips, staples and potential damages Clips, grapas y potenciales patógenos" data-title="Clips, grapes i altres elements potencialment nocius Clips, staples and potential damages Clips, grapas y potenciales patógenos" data-caption="">
Minimal intervention on “Serra & Balet” documents
Standard treatment of minimal intervention on documentation with slight damages: Disinfection, removal of clips and staples, consolidation and folder to fit.
Categories
ARTEFACT
archive or library
book
book structures
bundle
headband
hollow back
limp-vellum binding
locks
sewing
tight back
document
seal
lacquered seal
printed stamp (see TECHNIQUE)
drawing
manuscript
photograph
albumen
daguerreotype
glass plate
silver gelatine
plans, maps, architectural or technical drawings
maps
plans
poster
DAMAGES
acidity / oxidation
bibliopath - graphopath
Bookbugs (pests & paper eaters)
insects
silverfish
woodworm
microorganisms
mold
disaster
flood
foxing
losses, gaps
pressure sensitive tapes
silver mirroring
structural
wrinkles
MATERIAL
fabric
cotton
silk
velvet
glass
leather
parchment
metal
paper
coated paper (art paper)
Kraft paper
laid paper
rag paper
tracing paper
impregnated paper
onion skin paper
Washi
wood pulp paper
plastic
cellulose acetate
polyethylene terephthalate (PET)
Polypropylene (PP)
wood
PRODUCTS
adhesives
natural
shellac
rubber (natural)
starch paste
synthetic adhesives
Filmoplast®
Paraloid B72
rubber (synthetic)
Tylose® (MHC)
gels
agarose
chemical gel
hydro-gels
Klucel®
organo-gels
physical gels
Velvesil Plus
xanthan gel
nanoparticles
solvent
benzyl alcohol
ciclometicone
diethyl carbonate
dimethyl sulfoxide (DMSO)
polyethylene glycol (PEG)
surfactants
TECHNIQUE
ballpoint pen
collage
felt-tip pen
gouache
graphite (pencil)
ink
print
engraving
etching
lithograph
woodcut
printed stamp
reproduction
diazotype
watercolour
THEORY on cons. & rest.
TOOLS, MACHINES
TREATMENTS
bleaching
light bleaching
cleaning
stain removal
surface cleaning
tape removal
varnish removal
wet cleaning
deacidification
digitization
flattening
flattening under tension
housing (storage)
box
folder
four flaps envelopes
inpainting
mimetic in-painting
neutral colour in-paint
mould treatment
preventive conservation
climate (HR, temp.)
re-binding
reinforcement - consolidation
backing with fabric
Infilling
leafcasting
ink fixing
lining
sizing
tear repair
varnishing