Housing as a (quite desperate) conservation resource

New artwork arrives at the studio to be ready for an exhibition: pressure, limited time, bleeding inks…
Could it not be some other easier and more showing off artefacts?
Here’s what I do when I don’t seem to find much to do:
Tape removal, and failing to flatten under tension with magnets…
Mounting the artwork on a housing that secured an even tension on the artwork during the exhibition, was the last resource. Continue reading

Gels, microemulsions and nano-systems applied to pressure sensitive tape removal: latest updates

Tape removal, chemical and physical gels, microemulsions and much more. Review and abstract of the conference “Nanosystems. Application to tape removal on cellulosic supports,”, which took place in Madrid (Spain), on June 6 to 8th, 2018; within the context of NanoRestArt, the european Research and Developement project. Continue reading

“Customized” conservation with Richard Wolbers

Fellows of joys and sorrows, conservators, here is why I am so excited with the “Cleaning workshop: Paper bathing/stain removal”, given by Wolbers: The idea is to make every conservation treatment a kind of custom-made dress for each particular object with a minimal initial investment. He speaks about solvents, gels, surfactants, conductivity and pH.
Nor in my wildest dreams had I imagined such a close, easy and useful chemistry. Thanks a lot Richard, we owe it to you. Continue reading

Nanotechnology & chemical gels applied to paper conservation

What are nanoparticles and chemical gels? Latest technological advances in restoration of archive material is about nanotechnology and chemical gels and so it is studied in the paper & books section of the IPCE Continue reading

Gone with the wind

I don’t like much having war books, but I must admit that this one is particularly beautiful. The velvet binding seemed to me a challenging issue on the restoration, which did not have major complications besides this.

I show the restoration of this book because of the headaches it has given me when solving the lost areas, the wooden work. The considerable losses on a laborious woodcarving work, and the lack of originals of many of the missing pieces fairly complicated the subject (the shields on the corners were different). Continue reading