To trim or not to trim. Is that the question?
A book conservator deals with main ethical considerations. Sometimes because of the customer desire’s, and most of the time seeking an equilibrium between preservation and functionality. To top it up, we expect the result to be pleasant as well: not too new, not too worn; most original, but not too weak…
Rare is the case when we find a salomonic solution that satisfies all the requirements.
I guess a conservator is not the type who cuts the gordian knot, but rather one who tries to unlock it no matter how painful that is! Continue reading
Retouching is among the most sensitive within ethics in conservation since it means to establish the aspect a restored object is expected to have.
My opinion is that the looks of an historical object is often as important as its physical-chemical condition, and not intervening provides poor results that might mislead its readability more than a proper intervention. The more we intend to make it as neutral as possible, the least arbitrary, we need to admit that retocuhing requires good taste. Continue reading
Alligators, palm trees, luxury residences… What business have in Florida the Holy Trinity by Dürer, Mr. Audubon, and a paper conservator from old Europe? A two-week holiday to visit friends from Palm Beach became a fascinating collaboration project with the … Continue reading
Approach to a new methodolgy to retrieve the lost flexibility to brittle papers.
Tracing papers -so usual among technical drawings- have in common their transparency, but there are significant differences in the process to make them. The properties and behavior will be very different then. Impregnated papers, for an instance, were applied oils or varnishes to provide them translucency.
Explanation restoration of several drawings in which the varnish was removed to replace it later. Continue reading
Which damages cause sellotapes? Can we release documentary heritage from these fatty strips?
Explanation for the degradation mechanisms of this historic “remedial” tapes that we can find in documents of all kinds, and restoration possibilities in each case. Continue reading
I don’t like much having war books, but I must admit that this one is particularly beautiful. The velvet binding seemed to me a challenging issue on the restoration, which did not have major complications besides this.
I show the restoration of this book because of the headaches it has given me when solving the lost areas, the wooden work. The considerable losses on a laborious woodcarving work, and the lack of originals of many of the missing pieces fairly complicated the subject (the shields on the corners were different). Continue reading