Book conservation involves a tough decision making regarding usability and long term preservation handling.
Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book.
Incunabula and manuscripts with laced-case and limp vellum bindings are studied. Continue reading →
Practice and theory session in which we’ll see different materials related to housing and framing for the exhibition of paper artwork: adhesives, boards, cardboards, folders, plastics, glasses, sealing foils, passe-partouts…
We’ll speak about reversibility, “acid-free” and “archival” products and much more! Continue reading →
Assessment on preventive conservation, housing, storage, digitization, exhibition and possibilities of conservation of Swamiji’s manuscripts from Vedanta Academy historical archive. Continue reading →
Book conservation involves a tough decision making regarding usability and long term preservation handling.
Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book.
Incunabula and manuscripts with laced-case and limp vellum bindings with rolled sewing on parchment are studied. Continue reading →
Conservation of a manuscript which was a recycled limp vellum binding with flap. The flap and other missing parts are reconstructed after conservation. Continue reading →
Owner: Historical Archive of Lleida (Catalonia), National Archive of Catalonia, Government of Catalonia. Object: Limp vellum binding mansucript. Rolled sewing on parchment. The covers are a re-used manuscript (disjecta membra). “Manual notarial d’Andreu Soler” (notes by notary Andreu Soler). Date: … Continue reading →
What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have?
Preservation and conservation, a field linked to science, history and arts and crafts. A video explains what differenciates us from forgers and shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator. Continue reading →
Not uncommon to find waste material as part of a binding (parchment manuscripts, for instance), but quite much rare when the previous and original binding is part of the boards layers of the current recycled binding!
The outer and visible binding belonged first to a former book, and the hidden binding, to the current, one… crazy! Continue reading →
Owner: Regional Archive of La Segarra (Cervera, Spain), Government of Catalonia. Object: Medieval manuscript on laid paper with limp vellum binding in reverse parchment, with flap and alum tawed leather tackets sealing the turnings. Sewing on two leather tackets. Date: … Continue reading →
Event: Conference Book Conservation: One Philosophy, Many Interpretations. Organization: ERC (European Research Centre for Book and Paper Conservation-Restoration) and the University for Continuing Education, Krems (Austria). Donau-Universität Krems, Die Universität für Weiterbildung. Lecture: Sew it, rather than paste it! Sew … Continue reading →
Conservation of a ithographic print from 1922, a poster of the 2nd edition of the car race “Armangué Trophy”, organized by the Royal Motorcycle Club of Catalonia. Continue reading →
Event: INTACH lectures (#52). Organization: INTACH, Indian National Trust for Art and Cultural Heritage. Lecture: Reversibility in book and paper conservation. It is in fact a revisiting of the same lecture given at the Cores Symposium, organized by Syntrawest, Vlaanderen Departement … Continue reading →
Owner: Jean Cocteau Museum (Menton, France). Object: Adami sketches, three oversized drawings on Canson-type paper and caseine media. Measures: 200 x 150 cm. Author: Valerio Adami. Date: 1992. Damages: Cockling and stains due to a flood. Conservation treatment: Wet cleaning … Continue reading →
Organization: Icon Book and Paper Group (London). Webinar series Conservation Together At Home #31. Lecture: Conservation of Impregnated Tracing Paper. This lecture was held first in the Hague (Netherlands), in the Symposium Technical Drawings and Reproductions, organized by Restauratoren Nederland … Continue reading →
Owner: Private collector. Object: Encyclopaedia volumes. First and third editions. Third edition (1759): Two semi-limp vellum volums, starch marbled endpapers, sewn endbands on a parchment core, marbled edges. First edition (1751): Cat’s paw calfskin bound, sewn endbands, coloured edges. Damages: … Continue reading →
