Course: Match your Infill (Art Institute of Chicago, 2023)
- Project: Workshop with both practical and theoretical sessions.
- Teacher: Rita Udina.
- Organization: Gillian Marcus (Art Institute of Chicago).
- Venue: Art Institute of Chicago, Chicago (Illinois, USA).
- Language: English.
- Dates: May 31st – June 2nd, 2023.
- Duration: 18 hours.
- Audience: Conservators from the Art Institute of Chicago.
- Contents (theory and practice):
Techniques, materials and products to infill and in-paint.
Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
-
- Theory and case studies:
- Filling losses and fillers: powdered cellulose, paper pulp, Japanese paper.
- Modifying the appearance and texture of Japanese paper, silicone mould casting to replicate textures.
- Inpainting media and toning systems: synthetic resins, watercolour/gouache, pencils/pastels, dry pigments, dyes, colorants and other colouring agents.
- Light and colour phenomena, metamerism (optional).
- Modifiers: glossing, matting, polishing agents (optional).
- Theory and case studies:
-
- Techniques and criteria for in-painting:
- Chromatic Selection and Chromatic abstraction.
- Rigatino, tratteggio: Fiorentino vs. Romano.
- Underleveled.
- Neutral colour field.
- Mimetic.
- Digital technology.
- Ethical considerations.
- Techniques and criteria for in-painting:
Book, paper and photograph conservators from the Art institute of Chicago.
From left to right: Emiliy Mercer, Mardy Sears, Cecile Webster, M.B., Gillian Marcus, Christine Fabian, Anette Gasper, Pamela Olson (standing).
Krista Lough, María Cristina Rivera, Rita Udina & Paulina Migsik (kneeled down). Photo: Francesca Casadio (Head of Conservation and Science at the Art Institute of Chicago).
Other editions:
Clients
Types of projects
Course: Match your Infill (Art Institute of Chicago, 2023)
- Project: Workshop with both practical and theoretical sessions.
- Teacher: Rita Udina.
- Organization: Gillian Marcus (Art Institute of Chicago).
- Venue: Art Institute of Chicago, Chicago (Illinois, USA).
- Language: English.
- Dates: May 31st – June 2nd, 2023.
- Duration: 18 hours.
- Audience: Conservators from the Art Institute of Chicago.
- Contents (theory and practice):
Techniques, materials and products to infill and in-paint.
Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
-
- Theory and case studies:
- Filling losses and fillers: powdered cellulose, paper pulp, Japanese paper.
- Modifying the appearance and texture of Japanese paper, silicone mould casting to replicate textures.
- Inpainting media and toning systems: synthetic resins, watercolour/gouache, pencils/pastels, dry pigments, dyes, colorants and other colouring agents.
- Light and colour phenomena, metamerism (optional).
- Modifiers: glossing, matting, polishing agents (optional).
- Theory and case studies:
-
- Techniques and criteria for in-painting:
- Chromatic Selection and Chromatic abstraction.
- Rigatino, tratteggio: Fiorentino vs. Romano.
- Underleveled.
- Neutral colour field.
- Mimetic.
- Digital technology.
- Ethical considerations.
- Techniques and criteria for in-painting:
Book, paper and photograph conservators from the Art institute of Chicago.
From left to right: Emiliy Mercer, Mardy Sears, Cecile Webster, M.B., Gillian Marcus, Christine Fabian, Anette Gasper, Pamela Olson (standing).
Krista Lough, María Cristina Rivera, Rita Udina & Paulina Migsik (kneeled down). Photo: Francesca Casadio (Head of Conservation and Science at the Art Institute of Chicago).