COURSES →
Inpainting & loss compensation on paper→

• Course title: Match your infill.
• Project: Course with practical and theoretical sessions (18 hours).
• Teacher: Rita Udina.
• Organisation Alexandra Nederloff (Restauratoren Nederland).
• Contents (theory and practice):
  Techniques, materials and products to infill and in-paint.
  Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
• Venue: National Archive (The Hague, Netherlands).
• Language: English.
• Dates: November 13-15th, 2024.
• Audience: Book and paper conservators in practice.
• Other links:

• Contents (theory and practice):
  Techniques, materials and products to infill and in-paint.
  Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.

• • Theory and case studies:
    • Filling losses and fillers: powdered cellulose, paper pulp, Japanese paper.
    • Modifying the appearance and texture of Japanese paper, silicone mould casting to replicate textures.
    • Inpainting media and toning systems: synthetic resins, watercolour/gouache, pencils/pastels, dry pigments, dyes, colorants and other colouring agents.
    • Light and colour phenomena, metamerism (optional).
    • Modifiers: glossing, matting, polishing agents (optional).

• • Techniques and criteria for in-painting:
    • Chromatic Selection and Chromatic abstraction.
    • Rigatino, tratteggio: Fiorentino vs. Romano.
    • Underleveled.
    • Neutral colour field.
    • Mimetic.
    • Digital technology.
    • Ethical considerations.