Course: Inpainting and Loss Compensation on Paper (Premià, 2016)
- Course title: Inpainting and Loss Compensation on Paper Conservation.
- Project: Workshop with both practical and theoretical sessions (33 hours).
- Teachers: Amparo Escolano, Rita Udina.
- Contents (theory and practice):
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching. - Organisation: Rita Udina.
- Venue: Rita Udina conservation studio (Barcelona, Spain).
- Language: English.
- Dates: December 19th-21st, 2016.
- Audience: Paper conservators in practice.
- Other links: Facebook album; Pinterest board.
Participants of the conservation course “Inpainting and Loss Compensation on Paper”. From left to right (first top, then bottom): Chanaka Perera (Qatar National Library); Kate Chan (Hong Kong), Amparo Escolano (South Florida Art Conservation), Alexandra Nederlof (RijksMuseum, Netherlands), Orsolya Zelenák (Hungarian National Gallery), Arantxa Blat (Museum of Islamic Art, Qatar), Chiara Fornaciari (Vatican Museum), Nina Hesselberg-Wang (National Library of Norway), Küllike Pihkva (National Archive of Estonia), Daniel Gillberg (Oslo Conservation Studio, Norway), Eugènia Piferrer & Rita Udina (Rita Udina’s studio).
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Course: Inpainting and Loss Compensation on Paper (Premià, 2016)
- Course title: Inpainting and Loss Compensation on Paper Conservation.
- Project: Workshop with both practical and theoretical sessions (33 hours).
- Teachers: Amparo Escolano, Rita Udina.
- Contents (theory and practice):
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching. - Organisation: Rita Udina.
- Venue: Rita Udina conservation studio (Barcelona, Spain).
- Language: English.
- Dates: December 19th-21st, 2016.
- Audience: Paper conservators in practice.
- Other links: Facebook album; Pinterest board.
Participants of the conservation course “Inpainting and Loss Compensation on Paper”. From left to right (first top, then bottom): Chanaka Perera (Qatar National Library); Kate Chan (Hong Kong), Amparo Escolano (South Florida Art Conservation), Alexandra Nederlof (RijksMuseum, Netherlands), Orsolya Zelenák (Hungarian National Gallery), Arantxa Blat (Museum of Islamic Art, Qatar), Chiara Fornaciari (Vatican Museum), Nina Hesselberg-Wang (National Library of Norway), Küllike Pihkva (National Archive of Estonia), Daniel Gillberg (Oslo Conservation Studio, Norway), Eugènia Piferrer & Rita Udina (Rita Udina’s studio).
