Course: Inpainting & Loss Compensation on Paper Conservation (Barcelona, 2018)

Escoda brushesPremià de Mar Council

  • Course title: Inpainting and Loss Compensation on Paper Conservation.
  • Project: Workshop with both practical and theoretical sessions (21 hours).
  • Teachers: Amparo Escolano, Rita Udina.
  • Organisation: Rita Udina.
  • Contents (theory and practice):
    Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
  • Venue: Rita Udina conservation studio (Barcelona, Spain).
  • Language: English.
  • Dates: October, 15-17th 2018.
  • Audience: Paper conservators in practice.
  • Other links: Facebook album, Pinterest board.
  • Course reviews: The Icon Book & Paper Group blog, January 2019 (by Sophie Sarkodie).
Course: Inpainting & Loss Compensation on Paper Conservation (Barcelona, 2018)

From left to right (top): Rebecca Heremans (Belgium), Ana Beny (Spain/Egypt), Maris Allik (Estonia), Mildred Apilado (Philipines), Amélie Couvrat (Netherlands/France), Elissa del Bel Beluz (Canada); Tina Grette (Norway), Clàudia Callau (Spain), Annelies Wijngaert (Belgium).
Middle row (left to right): Frances Lunn (United Kingdom), Amparo Escolano (USA/Spain), Sophie Sarkodie (United Kingdom).
Bottom: Rita Udina (Spain).

Other editions:

Clients

Course: Inpainting & Loss Compensation on Paper Conservation (Barcelona, 2018)

Escoda brushesPremià de Mar Council

  • Course title: Inpainting and Loss Compensation on Paper Conservation.
  • Project: Workshop with both practical and theoretical sessions (21 hours).
  • Teachers: Amparo Escolano, Rita Udina.
  • Organisation: Rita Udina.
  • Contents (theory and practice):
    Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
  • Venue: Rita Udina conservation studio (Barcelona, Spain).
  • Language: English.
  • Dates: October, 15-17th 2018.
  • Audience: Paper conservators in practice.
  • Other links: Facebook album, Pinterest board.
  • Course reviews: The Icon Book & Paper Group blog, January 2019 (by Sophie Sarkodie).
Course: Inpainting & Loss Compensation on Paper Conservation (Barcelona, 2018)

From left to right (top): Rebecca Heremans (Belgium), Ana Beny (Spain/Egypt), Maris Allik (Estonia), Mildred Apilado (Philipines), Amélie Couvrat (Netherlands/France), Elissa del Bel Beluz (Canada); Tina Grette (Norway), Clàudia Callau (Spain), Annelies Wijngaert (Belgium).
Middle row (left to right): Frances Lunn (United Kingdom), Amparo Escolano (USA/Spain), Sophie Sarkodie (United Kingdom).
Bottom: Rita Udina (Spain).

Other editions:

Clients