Course: Inpainting and Loss Compensation on Paper Conservation (Paris, 2018)
- Course title: Inpainting and Loss Compensation on Paper Conservation.
Restauration des arts graphiques: Comblement des lacunes et retouches. - Project: Workshop with practical and theoretical sessions (21 hours).
- Dates: April 11-13th, 2018.
- Teachers: Amparo Escolano, Rita Udina.
- Contents (theory and practice):
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching. - Languade: English (french simultaneous translation by Silvia Brunetti).
- Organization: Institut National du Patrimoine (INP).
- Venue: Auverbilliers, Paris (France).
- Audience: Paper conservators in practice.
- Other links: Facebook album, Pinterest board.
Institut National du Patrimoine, April 2018, Paris (France). Workshop Inpainting & Loss Compensation on Paper Conservation (“Restauration d’arts graphiques: Comblement des lacunes et retocuhes“).
From left to right (top): Valérie Tixier (independent paper conservator); Camille Lallemand (paper conservator at Palais Galliera); Marjorie Williams (paper conservator); Roxane Moine (paper conservator at the Bibliothèque National de France); Amparo Escolano (Paper & Paintings conservator at SFLAC); Silvia Brunetti (Independent paper conservator); Claudine Bértrand (bookbinder); Michelle Navarre (paper conservator at Musée Carnavalet); Corinne Cheng (paper conservator at the Centre des Archives du Ministère des Affaires Étrangères) and Lucile Dessennes (conservator at the Bibliothèque National de France). Below: Elisa Le Bellec (conservator at the Archive Départamental du Finisterre); Cécile Huguet (paper conservator); Electre Totolidis (Bibliothèque Royale de Bélgique); Rita Udina (Paper & Book conservator) and Nathalie Le Dantec (conservator and adjointe au dirécteur des études du Département des restaurateurs à l’INP).
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Course: Inpainting and Loss Compensation on Paper Conservation (Paris, 2018)
- Course title: Inpainting and Loss Compensation on Paper Conservation.
Restauration des arts graphiques: Comblement des lacunes et retouches. - Project: Workshop with practical and theoretical sessions (21 hours).
- Dates: April 11-13th, 2018.
- Teachers: Amparo Escolano, Rita Udina.
- Contents (theory and practice):
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching. - Languade: English (french simultaneous translation by Silvia Brunetti).
- Organization: Institut National du Patrimoine (INP).
- Venue: Auverbilliers, Paris (France).
- Audience: Paper conservators in practice.
- Other links: Facebook album, Pinterest board.
Institut National du Patrimoine, April 2018, Paris (France). Workshop Inpainting & Loss Compensation on Paper Conservation (“Restauration d’arts graphiques: Comblement des lacunes et retocuhes“).
From left to right (top): Valérie Tixier (independent paper conservator); Camille Lallemand (paper conservator at Palais Galliera); Marjorie Williams (paper conservator); Roxane Moine (paper conservator at the Bibliothèque National de France); Amparo Escolano (Paper & Paintings conservator at SFLAC); Silvia Brunetti (Independent paper conservator); Claudine Bértrand (bookbinder); Michelle Navarre (paper conservator at Musée Carnavalet); Corinne Cheng (paper conservator at the Centre des Archives du Ministère des Affaires Étrangères) and Lucile Dessennes (conservator at the Bibliothèque National de France). Below: Elisa Le Bellec (conservator at the Archive Départamental du Finisterre); Cécile Huguet (paper conservator); Electre Totolidis (Bibliothèque Royale de Bélgique); Rita Udina (Paper & Book conservator) and Nathalie Le Dantec (conservator and adjointe au dirécteur des études du Département des restaurateurs à l’INP).
