Portfolio
Find below the portfolio projects related to Portfolio:
Lecture: “A possible solution for paperback bindings” (ICPWH, Sarajevo)
Event: First International Conference on [...]
Technical translation English → Spanish
Client: Apache. Project: Technical translation from [...]
Course: Inpainting and Loss Compensation on Paper Conservation (Premià, 2019)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Workshop: Introduction to paper conservation (International Archives Day)
Introductory workshop to paper conservation (International Archives Day).
Conservation of preliminary drawing for a tapestry: an oversized gouache on paper
Conservation of preliminary drawing for a carpet, an oversized gouache on paper. Dry cleaning, backing with japanese tissue (washi). Flattening, loss compensation (in-painting).
Conservation of a gouache and pastel drawing on impregnated tracing paper
Conservation of a gouache and pastel drawing on impregnated tracing paper. Preliminary technical drawing, a design for a tapestry.
Conservation of incunabula with fragmentology evidence
Conservation of incunabula books from Public Library Carles Rahola. Some have disjecta membra and a few cases of palimpsest bindings as well.
Conservation and housing of parchment manuscripts with sewn repairs
Owner: Can Pedrals Library (Granollers, [...]
Conservation of architectural drawings on tracing paper, by Fernando Higueras
Owner: Association of Architects of [...]
Workshop: Housing and Mounting Photographs for Exhibition (Barcelona, 2019)
Practice and theory session in which we'll see different materials related to housing and framing for the exhibition of photographs: adhesives, boards, cardboards, folders, plastics, glasses, sealing foils, passe-partouts... We'll speak about reversibility, "acid-free" and "archival" products and much more!
Course: Inpainting and Loss Compensation on Paper Conservation (Leiden, 2019)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Conservation of choir book, an oversized manuscript on parchment
Choir book, an oversized manuscript on parchment. The bookbinding is full leather on wooden boards with brass edges, as well as clasps, also in brass. 1634, renaissance style.
Conservation of parchment mansucript with woven repairs
[translation pending] Beneficiari: Arxiu [...]
Workshop: Conservation and repair of damaged books
Workshop in which we'll learn to look at books in order to understand their structure: case bound bindings, paperback, perfect bindings, with or without sewing, hard or soft covers, tight back or hollow spine. Only afterwards it is possible to make the proper diagnosis of damage, in order to proceed to the repair practice.
Course: “Inpainting & Loss Compensation on Paper Conservation” (Granada, 2018)
Inpainting and loss compensation on paper conservation. Workshop with theoretic and practical sessions. Organization: University of Granada. Language: Spanish. Dates: October 22-24th, 2018.
Course: Inpainting & Loss Compensation on Paper Conservation (Barcelona, 2018)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Exhibition “Art and Heritage: Preserving History”
Event: 20th Paper and Board [...]
Lecture ‘Diving in wet treatments’, first in-person edition (IPCE)
¿Which are the main benefits of bathing? ¿Do wet treatments justify the potential drawbacks involved in them? Let's see it in four diverese artefacts, washed from least to major degree: a pencil drawing, a gouache and two hand-coloured manuscripts.
Tàpies print: stain removal and light bleaching
Print conservation: Stain removal, deacidification and light bleaching, Lithoghraph by Antoni Tàpies.
Lecture: 20th anniversary of the conservation laboratory CRAI-UB
Event: 20th anniversary of the conservation [...]
Clients
Filter project by:
ARTEFACT
artwork on paper
drawings
maps, plans (architectural drawings)
posters
board or paper artefacts
books
albums
bindings conservation
codexs
fragmentology (membra disjecta)
recycled binding
incunabula
limp parchment binding
paperback books
sewn unsupported with drawn-on covers
stationery bindings
documents
holdings (archive/library)
oversized
photographs
albumens
daguerreotypes
silver-gelatin
glass-plates
silver-gelatine paper photographs
COURSES
book conservation
housing, mounting and framing paper artworks
introduction to paper conservation
Matching infills & retouching
photograph conservation
tailored conservation course
wet treatments
DISSEMINATION/RESEARCH
MATERIALS
TECHNIQUE
ball-point pen
charcoal, pastel
cyclostiled
felt-tip pen
gouache
graphite, pencil
ink
manuscripts
prints
engraving
lithograph
watercolor
woodcut
TREATMENT