COURSES
You might be seeking for Courses and Workshops.
Find below the portfolio projects related to COURSES:
Tailored course: Book and Paper Preservation and Conservation
Tailored course: Preservation and basics on book and paper conservation It includes theoretical and practical sessions about preservation and general notions on book and paper conservation.
Calligraphy on onion skin paper by Nankoku Hidai
Onion skin paper is so called because of its resemblance to the skin of an onion. It its lightweight thin and transparent. It is a good quality paper, used for the reproduciton, such as in this case, an calligraphy by Nankoku Hidai. It had folds, oxidation, discolouration, cockling, a pressure sensitive tape at the right bottom corner, stains, tears and tattered edges. Paper hinges have been added to mou it on a conservation board for framing purposes.
Workshop: Match your Infill (The Hague, 2024)
Techniques, materials and products to infill and in-paint. Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
Tailored workshop: Stain removal, suction table and infilling with paper pulp
Tailored paper conservation workshop for book and paper conservators from Twin Doves Bindery Ltd. (Canada). It includes theoretical and practical sessions, stain removal, stamp removal and infilling with casted paper pulp (manually and in suction table).
Course: Match your infill (London, 2024)
Techniques, materials and products to infill and in-paint. Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
Course: Match your infill (Tartu, 2024)
Techniques, materials and products to infill and in-paint. Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
Session: Use of paper pulp on paper conservation (Amsterdam, 2024)
Questions and answers session about the use of paper pulp in paper conservation. Dry application, wer, on suction table, manual and leaf-casting machine. Discussion of types and qualities, and how to adjust the colour.
Course: Match your infill (Mohammed Bin Rashid Al Maktoum Foundation, 2023)
Techniques, materials and products to infill and in-paint. Techniques, materials and products to infill an in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, digital retouch, colour, tips and tricks for retouching.
Course: Match your infill (Prague, 2023)
Techniques, materials and products to infill and in-paint. Techniques, materials and products to infill an in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, digital retouch, colour, tips and tricks for retouching.
Course: Match your Infill (Art Institute of Chicago, 2023)
Techniques, materials and products to infill and in-paint. Techniques, materials and products to infill an in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, digital retouch, colour, tips and tricks for retouching.
Course: Match your infill (València, 2023)
Techniques, materials and products to infill and in-paint. Techniques, materials and products to infill an in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, digital retouch, colour, tips and tricks for retouching.
Course: Match your infill (Leiden, 2023)
Techniques, materials and products to infill and in-paint. Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
Course: Identificaction, conservation and preservation of photographs (Oslo, 2022)
Workshop with theoretic and practical sessions. Organization: National Museum (Oslo, Norway). Language: English. Dates: December 6-7th, 2022. Audience: Professional paper and photographs conservators.
Course: Inpainting and Loss Compensation on Paper Conservation (Oslo, 2022)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures, matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Tailored workshop: Photographs, carte-de-visite and autographs conservation (Premià, 2022)
Tailored workshop: Conservation of photographs, cdv and autographs. General treatments (dry cleaning, tear repair, flattening). Chemical aspects of conservation (deacidification, chelating agents).
Preservation, housing, mounting and framing artwork on paper (Valls, 2021)
Which is the best way to preserve paper artefacts? How are they mounted and framed for exhibition? Technical session explaining products, materials & techniques.
Workshop: Wet treatments of
Works on Paper (Amsterdam, 2021)
Theoretical and practical sessions. When to apply wet treatments on paper, and how. From the basis of handling wet paper to more complex moisturizing, humidification and washing techniques. Fugitivity tests, types of inks and their properties, and many case studies to show conservation treatments on real artwork: manuscripts and documents, drawings, watercolours, pastels, charcoal drawings...
Workshop: Wet treatments
of Works on Paper (Köln, 2021)
Theoretical and practical sessions. When to apply wet treatments on paper, and how. From the basis of handling wet paper to more complex moisturizing, humidification and washing techniques. Fugitivity tests, types of inks and their properties, and many case studies to show conservation treatments on real artwork: manuscripts and documents, drawings, watercolours, pastels, charcoal drawings...
Workshop: Preservation, housing, mounting and framing artwork on paper (Tortosa, 2021)
Which is the best way to preserve paper artefacts? How are they mounted and framed for exhibition? Technical session explaining products, materials & techniques.
Housing and Mounting Photographs for Exhibition (Barcelona, 2020)
Practice and theory session in which we'll see different materials related to housing and framing for the exhibition of photographs: adhesives, boards, cardboards, folders, plastics, glasses, sealing foils, passe-partouts... We'll speak about reversibility, "acid-free" and "archival" products and much more!
