COURSES
You might want to look at the page Courses and Workshops – Training in conservation.
Find below the portfolio projects related to COURSES:
Workshop: Conservation and repair of damaged books
Workshop in which we'll learn to look at books in order to understand their structure: case bound bindings, paperback, perfect bindings, with or without sewing, hard or soft covers, tight back or hollow spine. Workshop with theoretic and practical sessions.
Course: Inpainting and Loss Compensation on Paper Conservation (Yverdon-les-Bains, 2019)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures, matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Premià, 2019)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Workshop: Introduction to paper conservation (International Archives Day)
Introductory workshop to paper conservation (International Archives Day).
Workshop: Housing and Mounting Photographs for Exhibition (Barcelona, 2019)
Practice and theory session in which we'll see different materials related to housing and framing for the exhibition of photographs: adhesives, boards, cardboards, folders, plastics, glasses, sealing foils, passe-partouts... We'll speak about reversibility, "acid-free" and "archival" products and much more!
Course: Inpainting and Loss Compensation on Paper Conservation (Leiden, 2019)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Workshop: Conservation and repair of damaged books
Workshop in which we'll learn to look at books in order to understand their structure: case bound bindings, paperback, perfect bindings, with or without sewing, hard or soft covers, tight back or hollow spine. Only afterwards it is possible to make the proper diagnosis of damage, in order to proceed to the repair practice.
Course: “Inpainting & Loss Compensation on Paper Conservation” (Granada, 2018)
Inpainting and loss compensation on paper conservation. Workshop with theoretic and practical sessions. Organization: University of Granada. Language: Spanish. Dates: October 22-24th, 2018.
Course: Inpainting & Loss Compensation on Paper Conservation (Barcelona, 2018)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Paris, 2018)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures, matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Premià, 2017)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Amsterdam, 2017)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper (Premià, 2016)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Clients
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ARTEFACT
artwork on paper
drawings
maps, plans (architectural drawings)
posters
board or paper artefacts
books
albums
bindings conservation
codexs
fragmentology (membra disjecta)
recycled binding
incunabula
limp parchment binding
paperback books
sewn unsupported with drawn-on covers
stationery bindings
documents
holdings (archive/library)
oversized
photographs
albumens
daguerreotypes
silver-gelatin
glass-plates
silver-gelatine paper photographs
COURSES
book conservation
housing, mounting and framing paper artworks
introduction to paper conservation
Matching infills & retouching
photograph conservation
tailored conservation course
wet treatments
DISSEMINATION/RESEARCH
MATERIALS
TECHNIQUE
ball-point pen
charcoal, pastel
cyclostiled
felt-tip pen
gouache
graphite, pencil
ink
manuscripts
prints
engraving
lithograph
watercolor
woodcut
TREATMENT