Practice and theory session in which we’ll see different materials related to housing and framing for the exhibition of paper artwork: adhesives, boards, cardboards, folders, plastics, glasses, sealing foils, passe-partouts…
We’ll speak about reversibility, “acid-free” and “archival” products and much more! Continue reading
Owner: Jean Cocteau Museum (Menton, France). Object: Adami sketches, three oversized drawings on Canson-type paper and caseine media. Measures: 200 x 150 cm. Author: Valerio Adami. Date: 1992. Damages: Cockling and stains due to a flood. Conservation treatment: Wet cleaning … Continue reading
Theoretical and practical sessions. When to apply wet treatments on paper, and how. From the basis of handling wet paper to more complex moisturizing, humidification and washing techniques. Fugitivity tests, types of inks and their properties, and many case studies to show conservation treatments on real artwork: manuscripts and documents, drawings, watercolours, pastels, charcoal drawings… Continue reading
Conservation of a china ink, pencil, watercolour and gouache drawing with severe discolouration due to light exposure.
Dry cleaning, wash cleaning, deacidification, light bleaching, inpainting of light areas and flattening. Continue reading
Theoretical and practical sessions. When to apply wet treatments on paper, and how. From the basis of handling wet paper to more complex moisturizing, humidification and washing techniques. Fugitivity tests, types of inks and their properties, and many case studies to show conservation treatments on real artwork: manuscripts and documents, drawings, watercolours, pastels, charcoal drawings… Continue reading
Conservation of a china ink, pencil, watercolour and gouache drawing with severe discolouration due to light exposure.
Dry cleaning, wash cleaning, deacidification, light bleaching and flattening. Continue reading
Practice and theory session in which we’ll see different materials related to housing and framing for the exhibition of paper artwork: adhesives, boards, cardboards, folders, plastics, glasses, sealing foils, passe-partouts…
We’ll speak about reversibility, “acid-free” and “archival” products and much more! Continue reading
What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have?
Preservation and conservation, a field linked to science, history and arts and crafts. A video explains what differenciates us from forgers and shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator. Continue reading
Organization: Icon Book and Paper Group (London). Webinar series Conservation Together At Home #31. Lecture: Conservation of Impregnated Tracing Paper. This lecture was held first in the Hague (Netherlands), in the Symposium Technical Drawings and Reproductions, organized by Restauratoren Nederland … Continue reading
Impregnated, prepared, vellum or oiled papers are different names for this type of tracing paper that was produced by coating the paper with a varnish in order to make it translucent. Continue reading
Owner: Association of Architects of Catalonia (CoAC). Commissioned by: Sitges Museums (Sitges, Spain). Object: Impregnated tracing paper architectural drawing. Author: Lluís Domènech i Montaner, catalan architect (1850-1923). Damages: Yellowing, fragmented artwork, wrinkles, tears, pressure sensitive tapes (several types), ball-point pen inscriptions. Conservation treatment: Varnish … Continue reading
Owner: Sant Cugat Council (Barcelona, Spain). Object: Preliminary drawing for a carpet, an oversized gouache on paper. Measures: 190 x 55 cm. Date: 20th century. Damages: Cockling, big tears, tapes on the back side, glue remnants on the recto, powdery … Continue reading
Owner: Sant Cugat Council (Barcelona, Spain). Object: Preliminary drawing for a tapestry, gouache, charcoal and pastel on impregnated tracing paper. Date: 20th century. Damages: Cockling, big tears, dirt. Conservation treatment: Dry cleaning, consolidation, backing with japanese tissue (washi). Flattening. Conservators: … Continue reading
Owner: Association of Architects of Catalonia (CoAC). Commissioned by: ICO Foundation (Madrid, Spain). Object: Tracing paper and onion-skin plans. Proejct of the Montecarlo Palace and desing for Wütrich house in Papagayo (Canary Islands). Author: Fernando Higueras, Spanish architect. Damages: Fragmented … Continue reading
Owner: Private collection. Object: “Gran Pastoral”, gouache on paper, 83 x 112 cm. Author: Joan Ponç, 1948. Damages: The artwork was lined on a Kraft paper with tapes and synthetic adhesives. It had losses and tears, and remarkable oxidation damage. The … Continue reading