ARTEFACT
Find below the portfolio projects related to ARTEFACT:
Tailored course: Book and Paper Preservation and Conservation
Tailored course: Preservation and basics on book and paper conservation It includes theoretical and practical sessions about preservation and general notions on book and paper conservation.
Calligraphy on onion skin paper by Nankoku Hidai
Onion skin paper is so called because of its resemblance to the skin of an onion. It its lightweight thin and transparent. It is a good quality paper, used for the reproduciton, such as in this case, an calligraphy by Nankoku Hidai. It had folds, oxidation, discolouration, cockling, a pressure sensitive tape at the right bottom corner, stains, tears and tattered edges. Paper hinges have been added to mou it on a conservation board for framing purposes.
Special collection from Institute of Lleida Studies
An inappropriate repair causes more damage than benefit Limp bindings are known particularly for their suppleness. If they can no loner open wide normally, strain pushes the parchment spine to tear apart, or either the thongs to break.
Mrs. Daydí Pastel portrait by Fèlix Mestres
Conservation of pastel drawing on paper and cardboard by Spanish painter Felix Mestres. Portrait of Mrs. Carolina Daydí. Dry cleaning, mould removal with HEPA vacuuming, in-painting of foxing stains.
Map by Blaeu cartographers
Conservation of 17th c. map by Blaeu dutch cartographers, 1630 Hand coloured print with gouach and golden paint. It had kraft paper patches and discolouration caused mainly by light exposure. The conservation treatment consisted on dry cleaning, old repairs removal, wet cleaning (slanted capillary wash) and flattening.
Session: Use of paper pulp on paper conservation (Amsterdam, 2024)
Questions and answers session about the use of paper pulp in paper conservation. Dry application, wer, on suction table, manual and leaf-casting machine. Discussion of types and qualities, and how to adjust the colour.
Pencil drawing by J.A.D. Ingres
Conservation of pencil drawing by J.A.D. Ingres. Pencil drawing on woven paper with discolouration and foxing stains, tears, insect depositions. Dry cleaning, mechanical removal of depositions, wet cleaning, chemical treatment and reinforcement.
Woodblock print by Albrecht Dürer
Woodblock print "The holy trinity", by Dürer, 1511. Removal of recent patches, wet cleaning, chemical treatment, deacidification, tear mending and losses infilling.
Conservation of plan on natural tracing paper
Proudly showcasing the conservation treatment of such a stubborn tracing paper: folds and wrinkles appear white due to loss of translucency. Before and after photos are taken with a black background, so that you can judge the results on the whitish parts.
Course: Identificaction, conservation and preservation of photographs (Oslo, 2022)
Workshop with theoretic and practical sessions. Organization: National Museum (Oslo, Norway). Language: English. Dates: December 6-7th, 2022. Audience: Professional paper and photographs conservators.
Conservation of Game-Boy box
Original box for Game-Boy by Nintendo with wrinkles, tears, and pressure-sensitive label. Minimize as much as possible the damages and remove the price label.
Conservation of varnished map
Conservation of an oversized map, varnished and with a linen backing, dated 1906. Varnish removal with gels, backing removal, capillary washing, tear mending, infilling, lining, flattening, retouch, varnishing and finishing (tapes and slats on edges).
Conservation of renaisance astronomy book. A stiff board parchment binding with slotted spine
Conservation of rennaisance astronomy book. Conservation of stiff-board reverse parchment binding with slotted spine. Clavius was a reputated astronomer, contemporary to Galileo Galilei.
Conservation of cartoon drawing by Quino
Conservation and flattening of a cartoon drawing by Quino using the same paper for the infill of the loss.
Case for artist book
Owner: Private collection Artefact: [...]
Tailored workshop: Photographs, carte-de-visite and autographs conservation (Premià, 2022)
Tailored workshop: Conservation of photographs, cdv and autographs. General treatments (dry cleaning, tear repair, flattening). Chemical aspects of conservation (deacidification, chelating agents).
Lecture: Sewing, adhesion and grain direction in book conservation
Event: AIC 50th Annual Meeting, [...]
Preservation, housing, mounting and framing artwork on paper (Valls, 2021)
Which is the best way to preserve paper artefacts? How are they mounted and framed for exhibition? Technical session explaining products, materials & techniques.
Lecture: ‘Conservation of recycled bindings and fragmentology’ (Parts 1 & 2), SICP Chile
Book conservation involves a tough decision making regarding usability and long term preservation handling. Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book. Incunabula and manuscripts with laced-case and limp vellum bindings are studied.
Workshop: Wet treatments of
Works on Paper (Amsterdam, 2021)
Theoretical and practical sessions. When to apply wet treatments on paper, and how. From the basis of handling wet paper to more complex moisturizing, humidification and washing techniques. Fugitivity tests, types of inks and their properties, and many case studies to show conservation treatments on real artwork: manuscripts and documents, drawings, watercolours, pastels, charcoal drawings...
