ARTEFACT
Find below the portfolio projects related to ARTEFACT:
Workshop: Wet treatments
of Works on Paper (Köln, 2021)
Theoretical and practical sessions. When to apply wet treatments on paper, and how. From the basis of handling wet paper to more complex moisturizing, humidification and washing techniques. Fugitivity tests, types of inks and their properties, and many case studies to show conservation treatments on real artwork: manuscripts and documents, drawings, watercolours, pastels, charcoal drawings...
Lecture: ‘Conservation of reused bindings’ (Part two), Dubrovnik
Book conservation involves a tough decision making regarding usability and long term preservation handling. Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book. Incunabula and manuscripts with laced-case and limp vellum bindings are studied.
Conservation of cartoon drawing of a packed tram
Conservation of a china ink, pencil, watercolour and gouache drawing with severe discolouration due to light exposure. Dry cleaning, wash cleaning, deacidification, light bleaching and flattening.
Workshop: Preservation, housing, mounting and framing artwork on paper (Tortosa, 2021)
Which is the best way to preserve paper artefacts? How are they mounted and framed for exhibition? Technical session explaining products, materials & techniques.
Assessment on the conservation of Swamiji’s manuscripts
Assessment on preventive conservation, housing, storage, digitization, exhibition and possibilities of conservation of Swamiji's manuscripts from Vedanta Academy historical archive.
Lecture: ‘Conservation of re-used bindings’ (part one), Zagreb
Book conservation involves a tough decision making regarding usability and long term preservation handling. Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book. Incunabula and manuscripts with laced-case and limp vellum bindings with rolled sewing on parchment are studied.
Conservation of long-stitched limp binding with rolled sewing
That's the typical case of waste material (a former parchment manuscript) that was recycled for a new purpose (a binding).
Conservation of recycled limp vellum wallet binding
Conservation of a medieval manuscript on laid paper, bound on limp parchment. The binding is recicled, being a former wallet bindinig with a flap. The turnins of the covers have alum tawed leather tackets. Sewn on the binding.
Video about the profession of book and paper conservator
What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have? Preservation and conservation, a field linked to science, history and arts and crafts. The video shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator.
Conservation of a manuscript with one binding inside the other
It is not uncommon to find waste material as part of a binding (parchment manuscripts, for instance), but quite much rare when the previous and original binding is part of the boards layers of the current recycled binding! The outer and visible binding belonged first to a former book, and the hidden binding, to the current, one... crazy!
Lecture: ‘Sew it, rather than paste it!’
(ERC Conference, Krems)
Event: Conference Book Conservation: One [...]
Conservation of racing cars poster
A lithograph by Spanish painter Cidón, dated 1922
Conservation of a ithographic print from 1922, a poster of the 2nd edition of the car race "Armangué Trophy", organized by the Royal Motorcycle Club of Catalonia.
Lecture: ‘Impregnated Tracing Paper Conservation’ (ICON Book & Paper)
Three study cases of conservation of impregnated tracing paper, with diverse approach
Conservation, facsimile binding and dust jackets for Encyclopaedia
Some projects are extremely complex regarding the ethical professional decision making, and this is certainly one of the toughests! Rather than trimming the original beautiful bindings with marbled edges, some facsimile dust-jackets were made to protect the books, that were also restored preserving all their features.
Stop-motion video of a paper conservation treatment
A lockdown is kind of stoping any activity, and that is what I have done, a stop-motion video, showing the full conservation treatment of a paper document.
Lecture: “Conservation of Impregnated Tracing Paper” (Papers at the balcony, Granada)
Three study cases of conservation treatment of impregnated tracing paper with three diverse approaches.
Housing and Mounting Photographs for Exhibition (Barcelona, 2020)
Practice and theory session in which we'll see different materials related to housing and framing for the exhibition of photographs: adhesives, boards, cardboards, folders, plastics, glasses, sealing foils, passe-partouts... We'll speak about reversibility, "acid-free" and "archival" products and much more!
Light bleaching: Conservation of Picasso print
Owner: Private collector Object: [...]
Impregnated tracing paper with tapes and ball-point pen inscription
Conservation of pencil architectural drawing on impregnated tracing paper, with a ball-point pen inscription, pressure-sensitive tapes and stuck onto a board. Drawing by catalan architect Lluís Domènech i Montaner.
Clients
Filter project by:
ARTEFACT
artwork on paper
drawings
maps, plans (architectural drawings)
posters
board or paper artefacts
books
albums
bindings conservation
codexs
fragmentology (membra disjecta)
recycled binding
incunabula
limp parchment binding
paperback books
sewn unsupported with drawn-on covers
stationery bindings
documents
holdings (archive/library)
oversized
photographs
albumens
daguerreotypes
silver-gelatin
glass-plates
silver-gelatine paper photographs
COURSES
book conservation
housing, mounting and framing paper artworks
introduction to paper conservation
Matching infills & retouching
photograph conservation
tailored conservation course
wet treatments
DISSEMINATION/RESEARCH
MATERIALS
TECHNIQUE
ball-point pen
charcoal, pastel
cyclostiled
felt-tip pen
gouache
graphite, pencil
ink
manuscripts
prints
engraving
lithograph
watercolor
woodcut
TREATMENT