inpaint / retouch
Find below the portfolio projects related to inpaint / retouch:
Course: “Inpainting & Loss Compensation on Paper Conservation” (Granada, 2018)
Inpainting and loss compensation on paper conservation. Workshop with theoretic and practical sessions. Organization: University of Granada. Language: Spanish. Dates: October 22-24th, 2018.
Course: Inpainting & Loss Compensation on Paper Conservation (Barcelona, 2018)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Paris, 2018)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures, matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Premià, 2017)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Conservation of gouache on paper, painting by Joan Ponç
"Gran Pastoral", gouache on paper, 83 x 112 cm. The artwork was lined on a Kraft paper with tapes and synthetic adhesives. It had losses and tears, and remarkable discolouration. The paper was extremely brittle. Tape and synthetic adhesives removal. Capillary wash and light bleaching, infilling of losses, lining, inpainting (mimetic criteria in the small ones, neutral color in the bigger ones).
Course: Inpainting and Loss Compensation on Paper Conservation (Amsterdam, 2017)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
RECH 4 – Retouch in Cultural Heritage
Event: RECH 4 - REtouch in [...]
Conservation of limp laced-case vellum binding with boards
Owner: Private collection. Artefact: [...]
Course: Inpainting and Loss Compensation on Paper (Premià, 2016)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Facsimile of the first Pharmacy graduation photograph (University of Barcelona, 1901)
What is a facsimile and what is it used for? Is it a forgery? Why the graduation photographs of the first pharmacists generation was mutilated during the Spanish Civil War? Facsimiles, also known as original copies or reproductions, are a very good solution when we want to disseminate an artefact with restricted availability due to poor condition state or unique character.
Russian posters conservation
Lithographic posters with communist propaganda, dating 1959. Author: Valentin Viktorof. Lithographs with severe folds, pressure-sensitive tapes, tears, dirt, slight cockling and paper losses. Conservation: Dry cleaninng, tape removal, wet cleaning and deacidification, consolidation (tears mending, gaps infilling, lining), flattening and inpainting.
Movie posters conservation
Owner: Private collection. Artefacts: Printed poster [...]
Conservation of sports posters
Owner: Barcelona Municipal Archive (Sants-Montjuïc [...]
Restauració de fotografia partida en dos i amb rosec de lepisma
Beneficiari: Societat Cultural Sant Jaume [...]
Conservation of poster with loss in the image
Poster of the film "No man of her own" by Spanish painter J. Peris Aragó. Big losses right in the face of the protagonist have been in-painted with deceptive criteria: reproducing a digital version of another poster that was complete.
