Theoretical and practical sessions. When to apply wet treatments on paper, and how. From the basis of handling wet paper to more complex moisturizing, humidification and washing techniques. Fugitivity tests, types of inks and their properties, and many case studies to show conservation treatments on real artwork: manuscripts and documents, drawings, watercolours, pastels, charcoal drawings… Continue reading →
Book conservation involves a tough decision making regarding usability and long term preservation handling.
Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book.
Incunabula and manuscripts with laced-case and limp vellum bindings are studied. Continue reading →
Practice and theory session in which we’ll see different materials related to housing and framing for the exhibition of paper artwork: adhesives, boards, cardboards, folders, plastics, glasses, sealing foils, passe-partouts…
We’ll speak about reversibility, “acid-free” and “archival” products and much more! Continue reading →
Assessment on preventive conservation, housing, storage, digitization, exhibition and possibilities of conservation of Swamiji’s manuscripts from Vedanta Academy historical archive. Continue reading →
Book conservation involves a tough decision making regarding usability and long term preservation handling.
Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book.
Incunabula and manuscripts with laced-case and limp vellum bindings with rolled sewing on parchment are studied. Continue reading →
What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have?
Preservation and conservation, a field linked to science, history and arts and crafts. A video explains what differenciates us from forgers and shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator. Continue reading →
Event: Conference Book Conservation: One Philosophy, Many Interpretations. Organization: ERC (European Research Centre for Book and Paper Conservation-Restoration) and the University for Continuing Education, Krems (Austria). Donau-Universität Krems, Die Universität für Weiterbildung. Lecture: Sew it, rather than paste it! Sew … Continue reading →
Event: INTACH lectures (#52). Organization: INTACH, Indian National Trust for Art and Cultural Heritage. Lecture: Reversibility in book and paper conservation. It is in fact a revisiting of the same lecture given at the Cores Symposium, organized by Syntrawest, Vlaanderen Departement … Continue reading →
Organization: Icon Book and Paper Group (London). Webinar series Conservation Together At Home #31. Lecture: Conservation of Impregnated Tracing Paper. This lecture was held first in the Hague (Netherlands), in the Symposium Technical Drawings and Reproductions, organized by Restauratoren Nederland … Continue reading →
Owner: Private collector. Object: Encyclopaedia volumes. First and third editions. Third edition (1759): Two semi-limp vellum volums, starch marbled endpapers, sewn endbands on a parchment core, marbled edges. First edition (1751): Cat’s paw calfskin bound, sewn endbands, coloured edges. Damages: … Continue reading →
A lockdown is kind of stoping any activity, and that is what I have done, a stop-motion video, showing the full conservation treatment of a paper document. Continue reading →
Impregnated, prepared, vellum or oiled papers are different names for this type of tracing paper that was produced by coating the paper with a varnish in order to make it translucent. Continue reading →
COURSES > Conservation and Repair of Damaged Books Course: Conservation and repair of damaged books. Duration: Workshop with 4 theoretic and practical sessions (16 hours) Organization: Barcelona Libraries. Venue: Library Montserrat Abelló (Barcelona, Spain). Language: Catalan. Date: November 13th, 20th, 27th and … Continue reading →
Event: First International Conference on Preservation of the Written Heritage. Lecture: A possible solution for paperback bindings. Organization: Gazi Husrev-bey’s Library, Sarajevo (Bosnia i Hercegovina). Venue: National Library of Bosnia (Gazi Husrev-begova Biblioteka). Audience: Book and paper conservators, librarians, historians, … Continue reading →
COURSES > Inpainting & Loss Compensation on Paper Conservation Course title: Inpainting and loss compensation on paper conservation Project: Workshop with theoretic and practical sessions. Organization: Florane Gindroz Iseli (Atelier pour le Papier). Venue: Atelier pour le Papier (Yverdon-les-Bains, Switzerland). Language: English. Dates: … Continue reading →
