DISSEMINATION/RESEARCH
Find below the portfolio projects related to DISSEMINATION/RESEARCH:
Workshop: Conservation and repair of damaged books
Workshop in which we'll learn to look at books in order to understand their structure: case bound bindings, paperback, perfect bindings, with or without sewing, hard or soft covers, tight back or hollow spine. Only afterwards it is possible to make the proper diagnosis of damage, in order to proceed to the repair practice.
Course: “Inpainting & Loss Compensation on Paper Conservation” (Granada, 2018)
Inpainting and loss compensation on paper conservation. Workshop with theoretic and practical sessions. Organization: University of Granada. Language: Spanish. Dates: October 22-24th, 2018.
Course: Inpainting & Loss Compensation on Paper Conservation (Barcelona, 2018)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Exhibition “Art and Heritage: Preserving History”
Event: 20th Paper and Board [...]
Lecture ‘Diving in wet treatments’, first in-person edition (IPCE)
¿Which are the main benefits of bathing? ¿Do wet treatments justify the potential drawbacks involved in them? Let's see it in four diverese artefacts, washed from least to major degree: a pencil drawing, a gouache and two hand-coloured manuscripts.
Lecture: 20th anniversary of the conservation laboratory CRAI-UB
Event: 20th anniversary of the conservation [...]
Lecture: “Reversible vs Irreversible” (Cores Symposium, Brugge)
Event: Cores Symposium. Dilemmas: Between cherishing [...]
Course: Inpainting and Loss Compensation on Paper Conservation (Paris, 2018)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures, matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Premià, 2017)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Amsterdam, 2017)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
RECH 4 – Retouch in Cultural Heritage
Event: RECH 4 - REtouch in [...]
- Course: Inpainting and Loss Compensation on Paper (Premià, 2016) GallerySouth Florida Art Conservation), Alexandra Nederlof (RijksMuseum, Netherlands), Orsolya Zelenák (Hungarian National Gallery), Arantxa Blat (Museum of Islamic Art, Qatar), Chiara Fornaciari (Vatican Museum), Nina Hesselberg-Wang (National Library of Norway), Küllike Pihkva (National Archive of Estonia), Daniel Gillberg (Oslo Conservation Studio, Norway), Eugènia Piferrer & Rita Udina (Rita Udina's studio). More information here.">
Course: Inpainting and Loss Compensation on Paper (Premià, 2016)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Facsimile of the first Pharmacy graduation photograph (University of Barcelona, 1901)
What is a facsimile and what is it used for? Is it a forgery? Why the graduation photographs of the first pharmacists generation was mutilated during the Spanish Civil War? Facsimiles, also known as original copies or reproductions, are a very good solution when we want to disseminate an artefact with restricted availability due to poor condition state or unique character.
Lecture: “Removal of PET plastic film from a laminated manuscript” (SERCA, Atlanta)
Owner: Private collection Object: Laminated [...]
Lecture: Silver mirroring in photographs conservation (Fotoconnexió)
[translation pending] Data: 1 de desembre de 2014. [...]
Lecture: “Replacement of oils on impregnated paper architectural drawings” (Amsterdam)
Date: 7th october 2014. Place: Nationaal [...]
- Minimal intervention in archive documents (Serra & Balet textile factory) GalleryClips, grapes i altres elements potencialment nocius Clips, staples and potential damages Clips, grapas y potenciales patógenos" data-title="Clips, grapes i altres elements potencialment nocius Clips, staples and potential damages Clips, grapas y potenciales patógenos" data-caption="">Substitució de clips i grapes Substitution of clips and staples. Sustitución de clips y grapas" data-title="Substitució de clips i grapes Substitution of clips and staples. Sustitución de clips y grapas" data-caption="">
Facsimiles of books and manuscript documents
[translation pending] Beneficiari: Fundació bancària [...]
Clients
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ARTEFACT
artwork on paper
drawings
maps, plans (architectural drawings)
posters
board or paper artefacts
books
albums
bindings conservation
codexs
fragmentology (membra disjecta)
recycled binding
incunabula
limp parchment binding
paperback books
sewn unsupported with drawn-on covers
stationery bindings
documents
holdings (archive/library)
oversized
photographs
albumens
daguerreotypes
silver-gelatin
glass-plates
silver-gelatine paper photographs
COURSES
book conservation
housing, mounting and framing paper artworks
introduction to paper conservation
Matching infills & retouching
photograph conservation
tailored conservation course
wet treatments
DISSEMINATION/RESEARCH
MATERIALS
TECHNIQUE
ball-point pen
charcoal, pastel
cyclostiled
felt-tip pen
gouache
graphite, pencil
ink
manuscripts
prints
engraving
lithograph
watercolor
woodcut
TREATMENT