Practice and theory session in which we’ll see different materials related to housing and framing for the exhibition of paper artwork: adhesives, boards, cardboards, folders, plastics, glasses, sealing foils, passe-partouts…
We’ll speak about reversibility, “acid-free” and “archival” products and much more! Continue reading
Theoretical and practical sessions. When to apply wet treatments on paper, and how. From the basis of handling wet paper to more complex moisturizing, humidification and washing techniques. Fugitivity tests, types of inks and their properties, and many case studies to show conservation treatments on real artwork: manuscripts and documents, drawings, watercolours, pastels, charcoal drawings… Continue reading
Conservation of a china ink, pencil, watercolour and gouache drawing with severe discolouration due to light exposure.
Dry cleaning, wash cleaning, deacidification, light bleaching, inpainting of light areas and flattening. Continue reading
Theoretical and practical sessions. When to apply wet treatments on paper, and how. From the basis of handling wet paper to more complex moisturizing, humidification and washing techniques. Fugitivity tests, types of inks and their properties, and many case studies to show conservation treatments on real artwork: manuscripts and documents, drawings, watercolours, pastels, charcoal drawings… Continue reading
Conservation of a china ink, pencil, watercolour and gouache drawing with severe discolouration due to light exposure.
Dry cleaning, wash cleaning, deacidification, light bleaching and flattening. Continue reading
Practice and theory session in which we’ll see different materials related to housing and framing for the exhibition of paper artwork: adhesives, boards, cardboards, folders, plastics, glasses, sealing foils, passe-partouts…
We’ll speak about reversibility, “acid-free” and “archival” products and much more! Continue reading
What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have?
Preservation and conservation, a field linked to science, history and arts and crafts. A video explains what differenciates us from forgers and shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator. Continue reading
Owner: Sant Cugat Council (Barcelona, Spain). Object: Preliminary drawing for a carpet, an oversized gouache on paper. Measures: 190 x 55 cm. Date: 20th century. Damages: Cockling, big tears, tapes on the back side, glue remnants on the recto, powdery … Continue reading
Owner: Sant Cugat Council (Barcelona, Spain). Object: Preliminary drawing for a tapestry, gouache, charcoal and pastel on impregnated tracing paper. Date: 20th century. Damages: Cockling, big tears, dirt. Conservation treatment: Dry cleaning, consolidation, backing with japanese tissue (washi). Flattening. Conservators: … Continue reading
Owner: Private collection. Artwork: Watercolour drawing by Rafael Estrany. Date: 20th century.
(castellano / català) Owner: Private collection. Artefact: Watercolour drawing by Emili Armengol i Gall. Lantern-summer festival (at Terrassa?) view of Sant Llorenç del Munt (la Mola) at the background (spanish countryside). c.1930. Author: Emili Armengol i Gall, catalan painter and jewler. Some of his artwork … Continue reading