art
Find below the blog posts related to art:
Beauty (and Christmas prize!)
Beauty is around us: in the writing of a manuscript, the clasps of a book, the mark of an etching or the traced lines of a drawing. In this year's Christmas there are masters' works by Albrecht Dürer, Jean-Auguste Dominique Ingres, Salvador Dalí, Joan Miró, Sam Cobean, Bruegel, Ramon Casas, an 14th c. manuscript and an Ornithology by Aldrovandi with parchment over stiff boards.
Profession: book and paper conservator
What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have? Preservation and conservation, a field linked to science, history and arts and crafts. A video explains what differenciates us from forgers and shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator.
Retouching, a taboo in paper conservation?
Retouching is among the most sensitive within ethics in conservation since it means to establish the aspect a restored object is expected to have. My opinion is that the looks of an historical object is often as important as its physical-chemical condition, and not intervening provides poor results that might mislead its readability more than a proper intervention. The more we intend to make it as neutral as possible, the least arbitrary, we need to admit that retocuhing requires good taste.
Sōkō conservation for oversized sketches by Sorolla
Sorolla sketches represent the spontaneity, the genius and the creative stage for its own right. Their conservation shares with them this essentiality, the minimal intervention character. The restoration has adopted japanese tools and techniques, a paper conservation at the most eastern style. Or not that utmost, since the Karibari was replaced by a wooden board. Eastern or western, the restoration of the gouache sketches has been truly remarkable, and you'll have to read it to know why.
Course: Inpainting & Loss Compensation on Paper (1rst edition)
Can you match the colour but not the surface texture? [...]
Dürer: From old Europe to Palm Beach
Alligators, palm trees, luxury residences… [...]
The bookbinder’s secret library
Cambras, one of the most popular bookbinders from Barcelona, always welcomes me with a wide smile and a sarcastic look. Smiles turn to laughter when we get down to our issues: -But... you are not pasting the spine of my book with PVA glue, are you?! I ask him while my eye seeks for his secret library...
Posters conservation: virtual inpaint vs “virtuous” retouching
The bike riders from Sants reached my studio squeaking, rather than cycling! Tears, foxing, discolouration, brittleness, acidity... All these damages have been carefully restored in order to let the splendorous riders finish line at the Municipal Archive of Barcelona. They are almost centenarian... and yet they ride wild along the repository! I'll explain which beauty and health treatments these illustrated posters have passed through
Choirbooks, and much more, at the Spanish National Library
Led by Luis Crespo and Arsenio Sanchez, restorerss in the National Library, we visit the fascinating world of book illuminated miniatures, choir books, manuscripts ... Latest technological resources, ancient tradition, and above all their experience and knowledge, allow the recovery of these bibliographic jewels exhibited now at the National Library of Spain.
Touch and “my crumpled ADLAN tracing papers”
How we restorers motivate with crumpled tracing papers, beautiful papers... This restorer is thrilled with "crumpled ADLAN tracing papers" from CoAC archive, which went through my hands some years ago, and invites you to participate in its digitization.
The value of things
Inpainting is the main controversial in a restoration as it demands to set criteria in not at all trivial matters: Meaning, function and unique nature of artefacts.
Categories
ARTEFACT
archive or library
book
book structures
bundle
headband
hollow back
limp-vellum binding
locks
sewing
tight back
document
seal
lacquered seal
printed stamp (see TECHNIQUE)
drawing
manuscript
photograph
albumen
daguerreotype
glass plate
silver gelatine
plans, maps, architectural or technical drawings
maps
plans
poster
DAMAGES
acidity / oxidation
bibliopath - graphopath
disaster
flood
foxing
losses, gaps
pests & paper eaters
insects
silverfish
woodworm
microorganisms
mold
pressure sensitive tapes
silver mirroring
structural
wrinkles
MATERIAL
fabric
cotton
silk
velvet
glass
leather
parchment
metal
paper
coated paper (art paper)
Kraft paper
laid paper
rag paper
tracing paper
impregnated paper
onion skin paper
Washi
wood pulp paper
plastic
cellulose acetate
polyethylene terephthalate (PET)
Polypropylene (PP)
wood
PRODUCTS
adhesives
natural
shellac
rubber (natural)
starch paste
synthetic adhesives
Filmoplast®
Paraloid B72
rubber (synthetic)
Tylose® (MHC)
gels
agarose
chemical gel
hydro-gels
Klucel®
organo-gels
physical gels
Velvesil Plus
xanthan gel
nanoparticles
solvent
benzyl alcohol
ciclometicone
diethyl carbonate
dimethyl sulfoxide (DMSO)
polyethylene glycol (PEG)
surfactants
TECHNIQUE
ballpoint pen
collage
felt-tip pen
gouache
graphite (pencil)
ink
print
engraving
etching
lithograph
woodcut
printed stamp
reproduction
diazotype
watercolour
THEORY on cons. & rest.
TOOLS, MACHINES
TREATMENTS
bleaching
cleaning
stain removal
surface cleaning
tape removal
varnish removal
wet cleaning
deacidification
digitization
flattening
flattening under tension
housing (storage)
box
folder
four flaps envelopes
inpainting
mimetic in-painting
neutral colour in-paint
mould treatment
preventive conservation
climate (HR, temp.)
re-binding
reinforcement - consolidation
backing with fabric
Infilling
leafcasting
ink fixing
lining
sizing
tear repair
varnishing