Retouching, a taboo in paper conservation?

Retouching is among the most sensitive within ethics in conservation since it means to establish the aspect a restored object is expected to have.
My opinion is that the looks of an historical object is often as important as its physical-chemical condition, and not intervening provides poor results that might mislead its readability more than a proper intervention. The more we intend to make it as neutral as possible, the least arbitrary, we need to admit that retocuhing requires good taste. Continue reading

The diplomatic neutral colour

What is a neutral colour?
Is it a pH=7 colour? A transparent colour? Greenish… brown? An oil colour… or maybe acrylic?
Conservators mean by it: “I will paint the missing area with a single colour which you won’t see much”. It can be green, purple, pencil coloured or either with acrylic paints… Controversial is on the cards and whatever we do, even when not doing anything at all, conservators know that our decision will not suit everyone’s taste. Continue reading

Course: Inpainting & Loss Compensation on Paper (2016)

Can you match the colour but not the surface texture? Can you match the surface sheen but not the colour? Do you struggle with both? Do you never know what dyes to use? If you want to acquire a wider a range of inpainting techniques, this is your course. Held by knowledgeable professionals, it goes deeper into the tools, materials, techniques and tricks. The goal is to infill and in-paint the most challenging losses with confidence and success. Continue reading

Conservation of ‘The Disasters of War’, by Goya

There are all sorts of projects, and when Mr. Goya knocks at the door, the red carpet is ready to receive him at the studio: Please, come in!
The Disasters of War by Francisco Goya arrived at the studio in a fairly intact condition, with its 80 etchings, corresponding to the very first edition (in later editions two more etchings were added, making a total of 82). This first one was edited in 1863, more than forty years after Continue reading

Dürer: From old Europe to Palm Beach

Alligators, palm trees, luxury residences… What business have in Florida the Holy Trinity by Dürer, Mr. Audubon, and a paper conservator from old Europe? A two-week holiday to visit friends from Palm Beach became a fascinating collaboration project with the … Continue reading

The bookbinder’s secret library

Cambras, one of the most popular bookbinders from Barcelona, always welcomes me with a wide smile and a sarcastic look. Smiles turn to laughter when we get down to our issues:
-But… you are not pasting the spine of my book with PVA glue, are you?!
I ask him while my eye seeks for his secret library… Continue reading

The value of things

Inpainting is the main controversial in a restoration as it demands to set criteria in not at all trivial matters: Meaning, function and unique nature of artefacts Continue reading